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Watches ─ |
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| Dedicated focus on all things related to the wristwatches of James Bond, Agent 007, created by Ian Fleming and brought to life in film by Albert R. Broccoli's EON Productions. | ||||
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| Ian Fleming watch branding serves plot formula and James Bond characterization | ||||
| We must welcome
rebuttals to elitist dismissals of Ian Fleming, and those who’d deny the
place of the James Bond books among classic literature. In this case,
I’m talking about an article titled, “Collecting Ian Fleming,” by Lee
Biondi, from Firsts: The Book Collector’s Magazine
(November 1998). In summary, Biondi writes, Fleming “doesn’t seem to have written with a conscious eye on redefining the [British spy novel] genre; but he did just that.” From my perspective, particular selection of the James Bond watch serves Fleming’s approach to “storytelling as game.” A key and recurrent theme is luxury juxtaposed with discomfort, including torture. “The novels are rather like a Harlem Globetrotters exhibition game,” argues Biondi, “where the winner is a foregone conclusion, yet the game is immensely enjoyable as spectacle.” It’s important to take pleasure in the 007 books and to like the central character, James Bond. A “liking tinged with envy.” Rolex advertising in the period during which Ian Fleming wrote these thrillers positioned that wristwatch as a brand chosen by “Leaders of Industry” and “all walks of life,” sold through “Only the best jewelers.” One ad for an Oyster Perpetual reinforces the high-end association by asking, “Can you buy a Rolls Royce in a discount house?” If James Bond is good looking, yet tough, Ian Fleming
certainly provides a strong metaphor by appointing his character with a
Rolex watch. In fact, the novel On Her Majesty’s Secret Service
stretches this parallel to its fullest extent. Worn by Bond to bed with
Ruby, its “big luminous numerals” nicely tell him the time at midnight.
Later, of course, that watch disintegrates in rough justice while
serving as a knuckle-duster to dispatch a Blofeld henchman.
Plot-wise, Lee Biondi notes in his 15-page Firsts feature article that, “for every torture, Bond gets a ‘treat.’” From a strict horology focus, this comes in Chapter 23, “Gauloises and Garlic,” where the shattered Rolex is replaced with a new one — though “he had had to blarney it out of Q Branch” (in lieu of replacing it via purchase from an expense account reimbursement). The final appearance of this James Bond watch comes at the bottom of page 285 in the first edition, just before the close of On Her Majesty’s Secret Service. Bond does not just note the time as 11:45 in the morning, but has “glanced at his watch” to do so. Three pages later, James Bond’s first and only wife Tracy is dead. Poignantly, Ian Fleming chose these words to express 007’s denial of that painful tragedy: “we’ve got all the time in the world.” Don’t look for the name Rolex to appear anywhere in “Collecting Ian Fleming,” from Firsts: The Book Collector’s Magazine. But it’s a brand reference that I’m confident would move Mr. Biondi’s piece from great to timeless if he ever has the call to update it. Also feel free to envy the James Bond Rolex as well, if you’d like: As it turns out, that tinge can add fun to the ride. |
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Posted by Dell Deaton, November 25, 2008 at 10:59 AM |
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